May 25, 2004  #01Political Satire/Commentary where satire is always commentary but commentary isn't always satire 
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Michael Moore and Quentin Tarantino emulate Alexandra Kerry to symbolize New Age See-Through Impressionism sub nom "'Non-Political' Documentarianism" to celebrate winning the coveted Vichy-French 'Triumph of the Will' Award for "Fare In Hype Nein Enleavened" sub nom "Farenheit 9-11" at the Cannes Film Festival.·

    The Left Bank and Left Coast are still celebrating Michael Moore's winning of the Cannes Film Festival's most coveted prize, the Vichy French "Triump of the Will" Award for Non-Political Documentarianism, for Moore's "Fare In Hype Nein Enleavened" sub nom "Farenheit 9-11."  To satisfy what the Committee described as a "worldwide clamor" of Moore's admirers, the Committee's spokes-person established a perpetual press-conference schedule.

    Despite the celebratory atmosphere, a spokes-person for the Committee that voted the award expressed "shock" that PoliSat.Com's Euro-Bureau Chief had the gall -- especially while in France-- to question whether the Committee's giving of the award to Moore's film constituted an anti-American "political statement."   In response to the question, the spokes-person indignantly stated that Quentin Tarantino was on the verge of providing directly to the "unwashed masses" an erudite, intellectually nuanced explanation of the reasons for which "anti-American" views are objectively correct and hence "non-political."   The spokesman abruptly ended the press conference in response to PoliSat.Com's Euro-Bureau Chief's follow-up question asking why Tarantino was planning to direct such explanation exclusively to the French rather than to the entire world.  Several hours later, PoliSat.Com's EuroBureau Chief received a persona non grata revocation of his "license" to participate as a questioner in any further news coverage of the celebratory events.

    Undaunted by such action, PoliSat.Com's Euro-Bureau Chief managed to regain membership in the press-pool by creating the appearance of a French Connection by disguising himself as an Oppressed Baathist.  This new, less-restricted access enabled our Euro-Bureau Chief to later record Michael Moore and Quentin Tarantino jointly leading a march to a coffee shop frequented by the French intellectual.  The purpose of the march was to further celebrate Moore having won the award.  To symbolize the artistically daring nature of the "intellectual nuance" of Moore's "New Age See-Through Impressionism" sub nom "Non-Political Documentarianism," they emulated the social daring of one of the leading jet-set fashion-plates of the Left Bank and Left Coast glitteratti, Alexandra Kerry.  Using an extra Al Jazeera video camera borrowed from the Oppressed Baathists contingent in the press pool, our Euro-Bureau Chief was able to record Moore and Tarantino poetically expressing their mutual admiration.

Fare In Hype Nein Enleavened.

When we here in Cannes took a gander
at your unabashed propaganda,
a term we devised
to give you a prize: 
Nouveau Non-Political Slander.

I'm glad you've approved my obsession
for hawking my see-through impressions
to libel and slander
the Yankee Commander
to hawk my artistic expressions.

Allow me a fleeting digression--
A moment to make a confession
Our vote was inspired
when Kerry conspired
to thrill us with see-through impressions.

We're happy in using our freedoms
to mock war on terrorist fiefdoms
because we contend
our safety depends
on words we should say to entreat 'em.

Your steadfast refusal to leaven
your film, "Fare In Hype Nein Enleavened"
with facts made it vital
to sell it re-titled
sub nom "Farenheit 9-11."

The prize we awarded at Cannes
is proof of the spiritual bond
as Left-Bankers toast
our Yankee Left Coast
for lobbing political bombs.

And now let's resume our digression
by leading a Leftist procession
in which we'll be dressed
in special effects
for flaunting our see-through impressions.

--Jim Wrenn, Editor@PoliSat.Com.

Daily Update immediately preceding the one above.

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